“There is a song I perform today about women, but it also speaks about men because they are an essential part of emancipation. It highlights the importance of educating young people, parents, grandparents, and future husbands, so everyone can contribute to social change,” expressed Sona Jobarteh ahead of her performance at the 14th edition of the Kriol Jazz Festival (KJF), which began on Thursday in the capital of Cape Verde.
Born in London but part of one of the Gambia’s most traditional families, Sona occupies a unique position: she is a woman who plays the “kora,” a musical instrument traditionally reserved for men, the “griots,” whose role is passed down through generations.
For Jobarteh, playing the “kora” is more than tradition; it is an “experience of innovation and cultural preservation.”
“The tradition of playing the ‘kora’ is very complex. As a woman, I never aimed to be the first to do it. I simply wanted to be a good player, without seeing myself differently from anyone else. The important thing is to realize that women are taking on roles that were not previously assigned to them, and this is historic,” she noted.
To Sona, the “kora” is not merely a cultural symbol but also a bridge between the past and the present.
“My role is to bring innovation to tradition, so it remains relevant and modern, without losing its roots,” she stated.
The artist has been a proponent of female empowerment, emphasizing the importance of education for social development.
“Women play a crucial role, just like young people. That is why I advocate education as a tool for development, without abandoning our cultures,” she added.
Despite facing prejudice, Sona has remained steadfast in her vision and celebrates the recognition she has received.
“Learning to play the ‘kora’ in Gambia was not easy. Being a woman, I couldn’t participate in all spaces, and people would test if I could surpass the men. These pressures almost led me to quit, but the determination of women is what helps us overcome difficulties,” she shared.
On her first visit to Cape Verde, Sona expressed her “anxiety”: “Every place where I perform is a new experience. I do not create expectations; I prefer to learn, understand, and connect with the audience. I am eager for this new experience,” she said.
Through her voice and melodies, Sona Jobarteh has captivated audiences worldwide, touching on themes such as cultural identity, gender, love, and respect.
Besides her musical endeavors, she is actively involved in social issues.
She represents Gambia at the World Trade Organization and founded the ‘Amadu Bansang Jobarteh School,’ where Gambian children receive education blending traditional music with academics.
“Most of my time is occupied with educational work. I’m trying to record a new album, but with so many responsibilities, it’s been challenging. I hope we can release the album next year,” she concluded.
The Kriol Jazz Festival continues tonight in the city of Praia, featuring performances by Mário Lúcio, the trio of Martinican pianist Mario Canonge, Gambian artist Sona Jobarteh, and the French band Sixun.
